When they learn that Chizuko has taken Mieko to a midwife to get an abortion, Tetsuya and Tomoe rush there and arrive just in time to rescue Mieko, who resolves to become a better individual. Tetsuya lives at his former trainer’s home. Craig himself was reminded of the reason he by no means leaves his home. Convinced that the lack of correct intercourse schooling was the rationale for Mieko’s blunder, Tetsuya and Tomoe go to Prof. Fukumoto of the Association for Sex Education to ask for his advice. The more Tetsuya tries to get away from Chizuko, the more she clings to him. He had been in love together with his trainer’s daughter Chizuko, hanime su however after the battle and his repatriation Tetsuya finds Chizuko completely modified. Chizuko takes in Mieko, who had run away from dwelling, and so as to annoy Tetsuya she declares that she is going to take care of the girl. Chizuko lastly offers up on Tetsuya, and Tomoe and Tetsuya get together.
At the school Tomoe meets Tachibana Tetsuya, a younger teacher whom she had met earlier than at a radio dialogue through which he had been taunted by different members after deploring the decline of sexual morals. Mieko helps Tetsuya, Tomoe and Prof. Fukumoto set up a lecture on intercourse schooling at the women‘ school, but the lecture is disrupted by the great-for-nothing Kawai who had seduced Mieko and got her pregnant. The second list accommodates examples of yuri works as a secondary or peripheral storyline, reminiscent of a romantic subplot, the presence of an essential female character who is by the way either lesbian, bisexual or other sapphic sexuality, in addition to a noticeable quantity of homoerotic-related implicit subtext or informal LGBT feminine illustration. Producer of all three movies in addition to of the observe-up Niizuma no seiten (Sex encyclopedia of a newly-wed lady, 1950) was Ishida Seikichi.
In truth, the novel was written on request of producer Ishida Seikichi, who needed to make a film dealing with the difficulty of sex education. Oba was a reliable, but up to now not significantly distinguished director hanime su who had made his debut in 1939 and had made greater than two dozens movies for Shochiku. Note: The views expressed within this evaluation do not necessarily reflect those of us who haven’t seen the series (i.e.- Craig and myself). Shochiku should have sensed the industrial potential of this film and relatively aggressively advertised it with slogans equivalent to „the most problematic function movie of this spring season!“, „pregnant faculty girl in uniform!“, „tragedy of a maiden realizing nothing about intercourse“, „the dangers of sex play (momoiro yugi)“ and „the marvellous film to the sex novel“.
Comments are closed