It’s attention-grabbing, however, that in all three films the heroine is performed by the same actress, Kogure Michiyo. Concerning their planning, nevertheless, the two movies had little in widespread. The characters of those video games are much less realistic and sometimes limited to only several static facial expression, gestures and occasional eye blinks, of which the former two coincide with the textual content displayed at the bottom of the scene and are consistently reused. Tokyo juya was released in a triple bill together with two different movies, Sei to kofuku (Sex and aspectspb.ru Happiness) and Sutorippu Tokyo (Tokyo Striptease). After the war he had difficulties to resume his career and ended up directing bawdy comedies and strip flicks like Tokkan hadaka tengoku (Rush Nude Paradise) and Sutorippu Tokyo. Otani had began his profession in 1924 as an actor under the name Mizutani Toshio. The latter was a striptease movie directed by Otani Toshio and produced by Ginsei Production starring striptease star Hirose Motomi.
Director Shimura Toshio initially came from Toho (after the second Toho strike he modified to Shintoho), and so did Yamamoto Kajiro who wrote the screenplay along with Takayanagi Haruo. Originally Kinoshita Keisuke was scheduled to direct the movie, but ultimately the path was assigned to Hara Kenkichi, a former assistant director of Ozu Yasujiro who had been directing movies for Shochiku since 1937. The screenplay was written by Shindo Kaneto. It was the first movie by Shin’eigasha, a manufacturing company based in May 1950 by Shino Katsuzo, the former vice-director and head of the planning division of the Oizumi Studio. It was the primary movie produced by Shueisha, a movie growing laboratory founded by Yoshida Eisuke, the previous head of the production department of Kokusai Eiga. Based on Funahashi Seiichi’s bestselling novel belonging to the category of „kanno shosetsu“ (novels about sexuality), the movie focuses on the erotic overtones of an affair of a former aristocratic woman and depicts the social and ethical modifications in submit-struggle Japan.
In the media the term seiten eiga came to denominate not only the „intercourse education“ movies produced by Shochiku, but it was used in a more normal sense for movies coping with sexuality and eroticism in a extra express method than the Japanese viewers was used to thus far. The „immoral movies“ referred to the identical group of films, which had been also labelled „mattress movies“ (nedoko eiga), „flesh films“ (nikutai eiga), „lust movies“ (shunjo eiga), „erotic movies“ (kanno eiga), „pulp films“ (getemono eiga) or „seiten eiga“. The same will be stated about Hara Kenkichi’s Dotei and Saburi Shin’s directorial debut Josei tai dansei. Mori Kazuo’s Daiei film Aru fujinka-i no kokuhaku (Confession of a gynaecologist), https://hanime.su/ written by Yoda Yoshikata and produced by Minoura Jingo (who at the identical time labored with Kurosawa Akira on Rashomon), also revolved around a gynaecologist and the issue of undesirable pregnancy, abortion and intercourse. Sex work in Kaiba is stripped of all performative elements: all elements of it that hinge on interpersonal relationships, real or simulated.
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